Kpiono me that after the release of his debut Paulina Bukowska books call it "Witkacym in a skirt." Now when I think about my admiration "unidentified object hallucinogenic" and when I read the first sentence the second novel by Bukowska, I think it is a bit zapędzając years ago, after all, the author drew attention to an interesting and promising. "little daughter" proves that Paulina Bukowska refined the technique and is a promising writer of the younger generation, and if it lacks the penetration of media such as Marty Syrwid try to do anything to it now - if not before Three years ago - has been paid attention to her. Bukowski takes on the complicated and difficult, namely the problem of toxic relation between mother and daughter. Who knows the great "permafrost" Białkowski Thomas, knows, as in contemporary Polish literature hatred for experiencing the son of his mother. This time we have a daughter. A daughter, who describes his Mother of the following: "This is not my mother! It is my great tragedy, this is my fault, my life is a stage of fetal development, genetic origin, is Only stretched uterus, which hid me nine months to spit out as soon as possible and leave ". Another problem is that the daughter she also is the mother of that data it is to enjoy (?) Motherhood too short and that it increases the aversion to pregnant women. I think that such an outline the general issue of "daughter" is sufficient. However, I would like to take some details from this book that do not leave me alone.
First of all, the form of Alina. Next after the heroine "fool" Eve Alina Schilling neurotic, and this time it is not in love with his pupil Polish studies, but an employee of an advertising agency, where the sweat is working to develop a general human stupidity, preparing the senses another stupefying media projects. Bukowska Alina seems to be a mature woman However, constantly stresses the fact that her life is rather only a variant of maturity. became independent, married, gave birth to a child, she found a good job, lover and even has nurtured over the years, strong feelings against his mother and sister who Paradoxically, they are its lifeblood. Alina is doing. Theoretically. So really what it is destroying itself and the excitement of trying to extricate myself, writing something like a literary conscience, because something like a "little daughter."
Bukowska heroine is the same for himself and herself inside of me. Nobody and nothing can not access itself. Blocked him tightly. Safety valve became increasingly stronger feelings toward his sister and mother. It's easier to throw all these feelings. One and Two are repelled by Alina. Both are, however, the closest it. This paradox is contained complex structure of a woman who can not know Bukowski. May in fact know the Alina just the same, but it is unfortunately not ready.
It is a story to an end. Chapters are the last three letters of the alphabet, and then linked together. Bukowski wants to put the final period, but we do not see the beginning and we are not able to comprehend that this is the end. End of Alina? Mother's suffering are not the end here and I mean suffering to that which gave birth to Alina and her own, Degenerate mother, the mother allows her child to die. "Little daughter" is a perverse tale of a spiritual resurrection, which does not want to come. About the Book of Revelation and the eternal private hell from which it is impossible to escape as you can not get rid of the hated mother.
Linguistically Bukowska presented in the "daughter" otherwise than in his debut. Of course, saturated with symbolism and too flowery narrative may remind you of how to juggle the words of the author of the "unidentified object hallucinogenic." I think Alina drama may be that it is not able to words to express the enormity of their suffering. And certainly not the mother is the cause of this suffering. Attempt to answer the question of what it is, I leave the reader attentive.
Publisher Mark, 2010
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