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Rebel Without a Cause

Rebel Without a Cause (1955), dir. Nicholas Ray

portrait of an American youth of the 50's. Finding authoritative among older colleagues, conflicts with parents and the police and riot against the rules, not giving too much freedom - the rules set by the adults to over-control their children and forcing them to its will. Parents, teachers or even representatives of the law were never recognized authorities for young people. Teenagers have more respect for older colleagues who seemed to be stronger and independent, but really they were just as lonely and unhappy.

The events center is located three young men. Posing on the hard disk, but sensitive at heart Jim Stark, a young girl and looking for experience, Judy, and Plato is a trio of minor characters who are misunderstood by adults, create their own "family." Their relationships are based on mutual trust, understanding and support. When Plato turns out to be too careless and fell into conflict with the right friends will not leave him alone. And in addition to conflict with the law is still a conflict with a bunch of hooligans. Their ringleader is an accident due to nierozwagi and bravado, so deprived of leadership villains are even more aggressive and full of unsubstantiated suspicion.

film is perhaps not as valid today as it used to, but even so the young audience in every generation should identify with the characters of the film by Nicholas Ray. They are colorful, interesting characters, whose character is clearly outlined, without any insinuation - it is not a flaw, just a typical Hollywood style, the 50's. Less credible and less scratching are the characters of adults (parents and police officers), which actually give the impression that the main protagonists rebel for no reason.

often read in newspapers about hooliganism wybrykach wondering now, what is the reason for these fights, provoking police action. Sometimes we think that something like this could happen in our surroundings, in the family or among friends. We do not know how we behaved, so we admire Jim Stark for his tough character, perseverance, common sense and cold blood. On one hand, trying to prove his courage, to impress peers, on the other hand a friend of Plato disliked by all, and the proof of this friendship is even such a simple gesture, like putting your jacket. Not without significance is the fact that the jacket is red, meaning of both love and danger.

Here is the audience to identify with the characters not only made sure the film director and screenwriter, but also three outstanding young actors. James Dean played here without a doubt the best of its three main roles, but you have to admit that the movie Ray is the best of the three films with Dean. Natalie Wood and Sal Mineo created a compelling psychological portraits of the lost teens, and came off much better in a confrontation with the actors who played the main characters parents.

Rebel reason is an excellent film, which is an ambitious study of human behavior, in which the director penetrates deeply into the psyche of characters, the actors pull their maximum potential. The action takes place slowly, and the dramatic tension increases gradually - it allows a deeper development of characters, but also makes it lacks longueur. In addition, the implementation of some of the scenes seems to be not fully thought through - but the general impression after watching the film remains positive.

You will definitely want this movie to watch, because it is a great job acting and directing. The beauty is also a layer Visual - the colors remain here a symbolic function, suggest that despite the social and psychological aspects to this movie to be romantic and attractive to viewers, devoid of violence, rape, sex, and drastic racial dialogues. Watching the film from the beginning, you can penetrate the atmosphere of a bygone, stylish 50s - times of outsiders, rebels and a new generation of actors (Brando, Dean, Newman). In the 50s, these films have become more mature and more experienced developers, since World War II taught them that they should not be wasting time on trivial and banal themes. Watching Rebel without a reason younger audiences can empathize with the psyche of the main characters, and the elders to feel nostalgia for the old times. It could be a movie for everyone, if only everyone appreciated such old classics.